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A dazzlingly original reassessment of the power and plurality of women's singing voices by the critically acclaimed author of Art Monsters and Scaffolding

'It took me ten years to go from shy young girl to punk rocker, if I'd had this book I'd have got there much quicker' Viv Albertine

For millennia, women's raised voices have been heard as unruly, uncivilized, dangerous. Women singing were cast as sirens: mythical creatures who lured sailors to their death.

In Vocal Break, Lauren Elkin seamlessly blends memoir, feminist manifesto and cultural history to explore a plurality of female singing voices - and how women have used them to defy convention, genre, capitalism, racism and sexism.

Drawing on her own experiences training as a young soprano in the 1990s, Elkin reflects on the way power and identity shape our voices, focusing on the women who most excited her when she was learning to sing. A vocal break refers to the place where the voice shifts from lower to higher registers and this is a book about what kind of meanings, and sounds, can be made there. Immersing readers in an eclectic soundscape, from musicals and pop music to art punk, what follows is a full-throated tour of women's voices, including Édith Piaf, Maria Callas, Cyndi Lauper, Kathleen Hanna, Tori Amos, PJ Harvey, Beyoncé, FKA Twigs and Billie Eilish.

Reflecting on what makes women's singing so powerful - to the point where others feel the need to control or manipulate it - Vocal Break is a joyous call to arms, a siren call:

Girls to the front: NOW.

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A compelling and timely exploration of the horror genre from award-winning scholar Eleanor Johnson that sheds light on the nexus between classic horror films and women's rights, bodily autonomy, and more.

In May 2022, Columbia University's Dr. Eleanor Johnson watched along with her students as the Supreme Court of the United States overturned decades
of judicial precedent and reversed Roe v. Wade. At the time, her class was in the middle of studying the 1968 horror film Rosemary's Baby which led Johnson to an epiphany: horror cinema engages directly with the combustible politics of women's rights and the despotic atmosphere in America.

Scream with Me reveals with intellect and empathy how classics like Rosemary's Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. These films, beloved by horror fans, show with blood and terror the sinister nature of gender roles, the isolation of domesticity, and the ever-present threat lurking in the shadows behind our own thresholds. Here, Johnson weaves these iconic films into the fabric of feminism, revealing that true horror lies not in rare situations and the supernatural but in the familiar confines of the home.

While celebrating seminal horror films, Johnson also encourages us to wrestle intimately with the surface scares to understand the deeper messages at play. Scream with Me is an unflinching and timely recognition of the power of this genre to shape and reflect cultural dialogues about gender and autonomy.

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A NEW YORKER AND NEW YORK TIMES BOOK OF THE YEAR

'Sophisticated, rich and skilful . . . highlights the extraordinary place these women carved out for themselves against the odds' New Statesman

'Remarkable . . . The Bluestockings bust out of the pages with unmistakable glee . . . their complexity and individuality shine through' BBC History

'Spirited, lively and scholarly' Literary Review

'A story of sisterhood and empowerment' PHILIPPA GREGORY

In Britain in the 1750s, women had no power and no rights - all money and property belonged to their fathers or husbands. A brave group risked everything to think and live as they wished, despite the sneers of contemporaries who argued that books frazzled female brains and damaged their wombs.

Meet the Bluestockings:

ELIZABETH MONTAGU hosted a series of glittering salons in her London drawing room, where a circle of women and men discussed theatre, philosophy and the classics, competing to outdo each other in wit and brilliance. Discover how she took on Voltaire and won.

Whilst nursing twelve children and helping run her bullying husband's brewery, HESTER THRALE took key writers under her wing - Dr Johnson moved into her house for several years. Her vivid diaries offer a powerful chronicle of what happened when she finally decided to follow her heart.

Find out how poetess and former milkmaid ANN YEARSLEY fought back when her snobbish patron refused to hand over her earnings because she was working class and thus irresponsible . . .

Or how CATHERINE MACAULEY's eight volume history of England caused such a sensation that she became a leading light in the American Revolution - while her unorthodox love-life scandalised her contemporaries . . .

In this brilliant book, Susannah Gibson explores the lives and legacies of these and other figures who went on to inspire writers and thinkers from Mary Wollstonecraft to Virginia Woolf and lead the way for feminism.

Bluestockings: the unexpected and inspiring stories of the forgotten heroines of Britain's very first women's movement.

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'Brilliantly rewrites the history of economic thought to place 'her story' at its heart - while combining sharp analysis with piercing wit and deep care. A must-read' - Kate Raworth, author of DOUGHNUT ECONOMICS

'One of the most important feminist voices of the 21st century . . . The book about capitalism we didn't know we needed' - Sofie Hagen

In 2020, the prominent Danish feminist Emma Holten read an article stating that women were a net 'deficit' to society. Women took more than they gave, 'draining' the public purse by giving birth and taking parental leave. They contributed less than their fair share in taxes, because they often worked part-time to look after other people at home, or held low-paid
jobs in the public sector. Denmark would be richer if women's lives looked more like men's, the economic experts concluded. A similar story is told around the globe.

How did we get here? In Deficit, Emma Holten traces how economic thinkers - from the Enlightenment onwards - created a value framework that overlooked and neglected 'women's work' and acts of care. She reveals how the economic models that drive political decisions today are just as flawed, giving us unparalleled monetary wealth, but causing deep social harms that are hurting us all.

If we cannot properly value the things that matter, how can we build a better future?

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Aphrodisia : Women, Sex, And Pleasure In The Classical World

by Jean Menzies