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' FitzSimons knows how to make words race like eager sled dogs on their homeward run.' Newcastle Herald

The Shipwreck of the Batavia combines in just the one tale the birth of the world's first corporation, the brutality of colonisation, the battle of good vs evil, the derring-do of sea-faring adventure, mutiny, ship-wreck, love, lust, blood-lust, petty fascist dictatorship, criminality, a reign of terror, murders most foul, sexual slavery, natural nobility, survival, retribution, rescue, first contact with native peoples and so much more.

Described by author Peter FitzSimons as \"a true Adults Only version of Lord of the Flies, meeting Nightmare on Elm Street,\" the story is set in 1629, when the pride of the Dutch East India Company, the Batavia, is on its maiden voyage en route from Amsterdam to the Dutch East Indies, laden down with the greatest treasure to leave Holland. The magnificent ship is already boiling over with a mutinous plot that is just about to break into the open when, just off the coast of Western Australia, it strikes an unseen reef in the middle of the night.

While Commandeur Francisco Pelsaert decides to take the long-boat across 2000 miles of open sea for help, his second-in-command Jeronimus Cornelisz takes over, quickly deciding that 250 people on a small island is unwieldy for the small number of supplies they have. Quietly, he puts forward a plan to 40 odd mutineers how they could save themselves, kill most of the rest and spare only a half-dozen or so women, including his personal fancy, Lucretia Jansz - one of the noted beauties of Holland - to service their sexual needs. A reign of terror begins, countered only by a previously anonymous soldier Wiebbe Hayes, who begins to gather to him those are prepared to do what it takes to survive . . . hoping against hope that the Commandeur will soon be coming back to them with the rescue yacht.

It all happened, long ago, and it is for a very good reason that Peter FitzSimons has long maintained that this is \"far and away the greatest story in Australia's history, if not the world's.\" FitzSimons unique writing style has made him the country's best-selling non-fiction writer over the last ten years, and he is perfect man to make this bloody, chilling, stunning tale come alive.

____________________________________

PRAISE FOR PETER FITZSIMONS

'Peter FitzSimons is an Australian phenomenon.' The Canberra Times

'Meticulously researched, well-written and incredibly presented.' 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This is a modern Australia permeated by First Nations history; a multicultural society with an island mindset; a continent of epic beauty and extreme natural events; a country obsessed by war abroad but blind to its founding war at home; and a thriving nation-state still to realise its political independence.

McKenna's wise and humane history reveals the surprising in the familiar, and reframes the past so we can see the present more clearly.

'Remarkable ... a deeply humane account of who we are and how we came to be' -Larissa Behrendt

'A deeply imaginative, beautifully written and individual book' --Robert Manne

'Original, eloquent and moving - a revelatory journey into the past we thought we knew' --Tom Griffiths",{"_810":829,"_812":1028,"_783":1029},{"_810":829,"_812":839,"_783":1179},"Black Inc.",{"_810":829,"_812":817,"_783":842},{"_810":829,"_812":844,"_783":845},{"_810":829,"_812":850,"_783":851},{"_810":829,"_812":853,"_783":1184},"304",{"_810":829,"_812":820,"_783":1179},{"_810":856,"_812":344,"_783":857},{"_810":856,"_812":724,"_783":857},{"_810":856,"_812":860,"_783":861},{"_810":856,"_812":863,"_783":861},{"_810":856,"_812":865,"_783":861},{"_810":856,"_812":867,"_783":1192},"03/02/2026",{"_810":856,"_812":870,"_783":1192},{"_810":856,"_812":873,"_783":1195},"48.0",{"_810":856,"_812":875,"_783":1195},{"_810":856,"_812":877,"_783":1198},"1",{"_810":856,"_812":880,"_783":1198},{"_810":883,"_812":884,"_783":885},{"_810":883,"_812":344,"_783":885},{"_810":883,"_812":724,"_783":885},{"_810":883,"_812":889,"_783":740},{"_810":883,"_812":891,"_783":740},{"_810":883,"_812":893,"_783":740},{"_810":883,"_812":895,"_783":896},{"_810":883,"_812":898,"_783":896},{"_810":883,"_812":900,"_783":896},{"_810":883,"_812":902,"_783":903},{"_810":883,"_812":905,"_783":903},{"_810":883,"_812":907,"_783":903},{"_810":883,"_812":909,"_783":910},{"_810":883,"_812":912,"_783":910},{"_810":883,"_812":914,"_783":915},{"_810":883,"_812":917,"_783":915},{"_810":883,"_812":919,"_783":915},{"_760":1218},[1219],{"_763":109,"_764":-5,"_123":1220,"_203":-5,"_774":1221,"_780":1222,"_17":1159,"_784":1224,"_786":1225},"gid://shopify/ProductVariant/45022340186309",{"_776":777,"_778":1195},[1223],{"_744":745,"_783":1159},"9781760643591",{"_788":1226},[1227,1230],{"_791":1228},{"_793":109,"_126":1229},{"_744":341},{"_791":1231},{"_793":109,"_126":1232},{"_744":722},{"_123":1234,"_17":1235,"_735":1236,"_754":1237,"_807":1239,"_758":1286},"gid://shopify/Product/8365451804869","First Knowledges Design","design-building-on-country",{"_756":1238},"https://cdn.shopify.com/s/files/1/0625/6679/3413/files/978-1-76076-140-0.jpg?v=1751851598",[1240,1242,1244,1245,1247,-5,1248,1249,1250,1252,1254,-5,1256,1258,1259,1260,-5,1261,1263,1265,-5,1267,-5,1268,-5,1269,1270,-5,1272,-5,1274,-5,1275,1276,-5,1277,1278,-5,1279,1280,-5,1281,1282,-5,1283,-5,-5,1284,1285,-5],{"_810":811,"_812":17,"_783":1241},"Design : Building on Country",{"_810":811,"_812":814,"_783":1243},"PAGE ALISON",{"_810":811,"_812":817,"_783":1095},{"_810":811,"_812":820,"_783":1246},"THAMES",{"_810":811,"_812":823,"_783":824},{"_810":829,"_812":830,"_783":831},{"_810":829,"_812":17,"_783":1235},{"_810":829,"_812":1103,"_783":1251},"Building on Country",{"_810":829,"_812":814,"_783":1253},"Alison Page; Paul Memmott; Margo Ngawa Neale (Editor)",{"_810":829,"_812":837,"_783":1255},"

Aboriginal design is of a distinctly cultural nature, based in the Dreaming and in ancient practices grounded in Country. It is visible in the aerodynamic boomerang, the ingenious design of fish traps and the precise layouts of community settlements that strengthen social cohesion.

Alison Page and Paul Memmott show how these design principles of sophisticated function, sustainability and storytelling, refined over many millennia, are now being applied to contemporary practices. Design: Building on Country issues a challenge for a new Australian design ethos, one that truly responds to the essence of Country and its people.

About the series: Each book is a collaboration between Indigenous and non-Indigenous writers and editors; the series is edited by Margo Neale, senior Indigenous curator at the National Museum of Australia.

Other titles in the series include: Songlines by Margo Neale & Lynne Kelly (2020); Country by Bill Gammage & Bruce Pascoe (2021); Plants by Zena Cumpston, Michael Fletcher & Lesley Head (2022); Astronomy (2022); Law (2023).

*Ebook available through all major etailers*

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The Australian Wars

by Rachel Perkins (editor) & Mina Murray (editor) & Stephen Gapps (editor) & Henry Reynolds (editor)